The pattern can be said to be the best basis for identifying the furniture age, and it has a relatively distinctive era.
A closer look at the ornamentation on the furniture reveals that many places are similar to the ones on the porcelain. In a dynasty, popular patterns tend to penetrate various fields and influence each other. There is nothing that exists in isolation and transcends time and space. The ornamentation on the furniture can be found almost in porcelain. Taking porcelain ornamentation as the standard, it is undoubtedly a shortcut to make a reference standard for furniture generation.
The red sandalwood pattern throne is a well-known classic furniture. The books have confirmed that this piece of furniture was produced by the Ming Dynasty. However, if we look at the blue-and-white flower-shaped large-sized bottle, we will have doubts. The lotus flower painted on the big bottle is exactly the same as the lotus flower on the throne. The veins are clear, the yin and yang are back, the lotus petals are tender and tender, two pieces. Although different genus, but the charm is no different. At this point, we should not stubbornly make the production of the throne of the lotus pattern as the Ming Dynasty. The bottom of the bottle of the lotus pattern clearly reads: Daqing Qianlong Year System.
The huanghuali wood unicorn design chair is also very famous and was identified as a Ming Dynasty work. The frame of the backrest of the chair is made up of three sections, and the middle is decorated with the unicorn and stone clouds. The unicorn is standing and heading back. In the case of a chair, it is easy to judge the production age as usual, but it will be found in comparison with the porcelain ornamentation. Qilin as a beast, a large number of paintings on the Ming Dynasty porcelain, in the middle of the Ming Dynasty, Qilin must be lying, that is, the front and rear legs are lying on the ground; and from the late Ming Dynasty to the early Qing Dynasty, Qilin must be sitting, the front legs are no longer embarrassing Straightening, but the hind legs are still the same as the middle of the Ming Dynasty; after entering the Qing Emperor Kangxi, the unicorns stood up and down, and looked at them. This rule, without exception, was made during the production period of the chair.
The walnut-wood single-panel three-screen arhat bed, the Bogu pattern of the bed is the same as the common Bogu pattern of the Qing Emperor Kangxi blue and white. From layout to content, it is almost a model. The Bogu pattern was popular twice in the Qing Dynasty, once in the Kangxi period, once in the Tongguang period, and twice in the same time as Bogu. The former advocated elegance and leisure, while the latter promoted Jinshi knowledge. The same as Bogu, the connotation is different, this kind of difference, has become the subject of future generations. Feel more, it will be easy to separate the former Qing Bogu from the late Qing Bogu, from which to experience the leisurely mood of the ancients and the inner emotions contained. Grasping the inner feelings of a cultural relic does indeed require a deeper and broader understanding of the political, economic, cultural and other aspects of the society at that time in order to strengthen understanding and judgment.
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